This project is funded by:
We welcome projects which address the broad field of composition via practice-based and/or practice-led methodologies. Projects investigating the composition of acoustic and/or electronic music, scoring for film/screen, the application of improvisatory concepts, interdisciplinarity and collaborative practice, community music, and the composer-performer, are all welcome.
Applicants should hold, or expect to obtain, a First or Upper Second Class Honours Degree in a subject relevant to the proposed area of study.
We may also consider applications from those who hold equivalent qualifications, for example, a Lower Second Class Honours Degree plus a Master’s Degree with Distinction.
In exceptional circumstances, the University may consider a portfolio of evidence from applicants who have appropriate professional experience which is equivalent to the learning outcomes of an Honours degree in lieu of academic qualifications.
If the University receives a large number of applicants for the project, the following desirable criteria may be applied to shortlist applicants for interview.
The University is an equal opportunities employer and welcomes applicants from all sections of the community, particularly from those with disabilities.
Appointment will be made on merit.
This project is funded by:
Our fully funded PhD scholarships will cover tuition fees and provide a maintenance allowance of £19,237 (tbc) per annum for three years (subject to satisfactory academic performance). A Research Training Support Grant (RTSG) of £900 per annum is also available.
These scholarships, funded via the Department for the Economy (DfE) and the Vice Chancellor’s Research Scholarships (VCRS), are open to applicants worldwide, regardless of residency or domicile.
Applicants who already hold a doctoral degree or who have been registered on a programme of research leading to the award of a doctoral degree on a full-time basis for more than one year (or part-time equivalent) are NOT eligible to apply for an award.
Due consideration should be given to financing your studies.
Give my regards to Eighth Street: collected writings of Morton Feldman
Feldman, Morton, 1926-1987. , Friedman, B. H. (Bernard Harper), 1926-2011.
Publisher: Cambridge, MA : Exact Change
Word events: perspectives on verbal notation
Lely, John. , Saunders, James, 1972 December 12-
Publisher: London ; New York : Continuum
Music 109: notes on experimental music
Lucier, Alvin. , Ashley, Robert.
Publisher: Middletown, Conn. : Wesleyan University Press
Johnson, Tom.
Publisher: Paris : Editions 75
Johnson, Tom.
Publisher: Paris, France : Editions 75 ; New York : 218 Press
Changing the system: the music of Christian Wolff
Thomas, Philip, 1972- , Chase, Stephen (Stephen Timothy).
Publisher: London : Routledge
Understanding the art of sound organization
Landy, Leigh, 1951-
Publisher: Cambridge : MIT Press
Submission deadline
Monday 24 February 2025
04:00PM
Interview Date
March 2025
Preferred student start date
15 September 2025
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