About Ulster Vernacularities

About Ulster Vernacularities

We are delighted to announce the Ulster Vernacularities: Interdisciplinary Perspectives Symposium which will take place at Ulster University (Belfast Campus) from June 6-7th, thanks to support from the AHRC Impact Accelerator Fund and Northern Bridge Consortium funding.

The theme of the symposium will examine people, placemaking, and identity by presenting research being carried out across various disciplines.  The word ‘vernacularities’ has been chosen as an inclusive term to embrace research across cultures and heritage which are rooted in Ulster.

The symposium will showcase research currently being carried out by postgraduates and early career researchers.  It is hoped that this will be both a platform for research to be disseminated, and a forum for museum, arts, and broadcasting representatives to find prospective collaboration and partnership opportunities.

The interdisciplinary symposium will take place over two days and will feature traditional academical presentations as well as examples of creative practice and performance.

Book your place - 6th June

Day one: presentation of papers and evening performances

The symposium is free to attend, and places can be booked through Eventbrite at the links below.  Please ensure that any dietary requirements and other accommodations are noted on the booking form.

Please note: tickets for the presentation of papers on the 6th June, the evening performances on 6th June, and for the second day of the symposium on 7th June must be booked separately.

6th June - presentation of papers 6th June - evening performances

Book your place - 7th June

Day two: broadcast and impact panel and presentation of papers

7th June - panel and presentations

Call for papers

The information below is for reference only.  The call for papers is now closed.

We encourage a range of formats in response to this call and invite papers, visual presentations, readings and performances in any discipline in which Ulster is a part, and vernacular in any of its possibilities is a perspective, a taxonomy, a subject of critique, an inspiration for practice, a celebration.

Please send your abstract / proposal (max 300 words), name, email address, position and institutional affiliation to vernacularitiessymposium@gmail.com by May 6th 2024.

We look forward to receiving your proposals.

  • Read full brief

    With origins in language, a word for its regional variations and dialects, and for its use in practice rather than laid down in official sources, the term ‘vernacular’ developed across disciplines, from linguistics to architecture and beyond. It is viewed here as a term with an interdisciplinary, and even anti-disciplinary charge.

    Exploring the vernacular continues to energise creative practitioners of all kinds. Attention to the vernacular has held the potential to critique the official, the elite, the monumental and the powerful by recovering the commonplace; the cultural production of the majority rather than the powerful minority typically studied. Traditionally the vernacular has been linked to the preindustrial and the place-bound and thus to the singularity of place, often by way of determinants of climate and geography.

    In Ulster a wide variety of scholars and practitioners have sought human creations that tended to be characterised by constraints rather than by individual artistic freedom; by the narrowed range of choices experienced by ordinary people; solutions guided by unconscious or unselfconscious design; or by the ‘traditional’, passed-down and evolved rather than individually created.

    Cultural forms were identified that were thought to be threatened by the homogenising forces of industrialisation and globalisation. Distinguishing something as vernacular continues to be a way of retaining it and so for some, a symptom of the contemporary fear of the loss of place.

    The term can be criticised, however, for its dependence upon contradistinction, for placing things in exclusive categories, making distinctions that become untenable in practice. Some have advocated for the term as a kind of ‘frontier’, a word marking out the new for study and reproaching scholars for the limited range of their subjects. Others have argued for processual approaches, critical of studies that are preoccupied with production and neglect use.

    These lenses provide a widened scope for vernaculars in which creation comes from our current cultural environment where vast ranges of manufactured things are assembled rather than made, expanding the term into contemporary conditions, and provide new perspectives on the old.

    We encourage a range of formats in response to this call and invite papers, visual presentations, readings and performances in any discipline in which Ulster is a part, and vernacular in any of its possibilities is a perspective, a taxonomy, a subject of critique, an inspiration for practice, a celebration.

    Themes can include:

    • Identity, belonging and placemaking
    • Makers and skills
    • Hidden knowledge communities
    • Design origin and evolution
    • Interpretation and re-interpretation pathways
    • Collecting, mapping and recovering
    • Curation, engagement and impact
    • Decolonisation and diversity
    • Women’s roles in vernacularities
    • Beyond Ulster: migration, diaspora and networks
    • Challenging preconceptions of the vernacular

    Please send your abstract / proposal (max 300 words), name, email address, position and institutional affiliation to vernacularitiessymposium@gmail.com by May 6th 2024.

Keynote speakers - day one

John Wilson Foster

John Wilson Foster is a Canadian and Irish writer and scholar.  He was born and reared in Belfast, Northern Ireland and graduated in English, philosophy, and social anthropology from Queen’s University. He earned his doctorate in English in the United States at the University of Oregon, Eugene. He spent his teaching and research career at the University of British Columbia, Vancouver, Canada, and is now a freelance writer and honorary research professor at Queen’s University, Belfast.

Foster was elected Fellow of the Royal Society of Canada in 2010. The John Wilson Foster archive is at Emory University, Atlanta, Georgia. His biography appears in Modern Irish Lives: Dictionary of 20th-century Biography (1996), ed. Louis McRedmond, Contemporary Authors (Thompson Gale, 2007),  and Canadian Who\'s Who (Grey House, 2011).

Shirin Murphy

Shirin Murphy is Heritage Officer at Carrickfergus Museum, Mid and East Antrim Borough Council and has eighteen years’ experience in curatorial roles within local authority museums. Her current role involves developing exhibitions, learning programmes, and other activities that highlight the museum collections and promotes the wider heritage of Carrickfergus and surrounding area. Her key interest is in bringing lesser-known histories to light and enabling local communities to participate and engage with their own heritage.

Shirin is on the committee of the Carrickfergus & District Historical Society and is a town representative on the management committee of the Irish Walled Towns Network. She has also joined the Board of Directors at Positive Carrickfergus, a community interest company that seeks to build community, promote community-led regeneration and increase civic participation.

Keynote speakers and panel - day two

Joe Mahon

Joe Mahon started his career as a schoolteacher, teaching English and History. He went on to work on BBC Radio Foyle as a contributor before becoming a producer, later becoming manager of Radio Foyle, before moving to TV. He worked at the BBC and then took up a post with independent production company Northland Films. Joe is best known as the presenter and producer of Lesser Spotted Ulster, Lesser Spotted Journeys and Ulster Giants.

Mark Thompson

Mark has worked in the design, advertising and communications sector in Northern Ireland for 30 years since graduating from the University of Ulster’s Belfast campus with BA (Hons) Design Visual Communication in 1994.

In June 2005 Mark was appointed as part-time Chair of the Ulster-Scots Agency, and completed a four year term in June 2009, after which he was appointed by DCAL to the Ulster-Scots Academy Project Steering Group from July 2009 - March 2011. He was a founder member of the Ulster-Scots Broadcast Fund committee of Northern Ireland Screen, serving from November 2010 - August 2012.

Mark was persuaded into broadcasting and has co-presented various cultural programmes on BBC Northern Ireland such as the series ‘Hame’, ‘Walkin Hame’, and documentaries such as ‘Whiskey Talkin’, ‘Ards TT: Race to Disaster’ and ‘Talkin Tay’. He has also been interviewed in, and been consultant for, a range of other programmes.

Triplevision Productions

Eamonn Devlinn and Gerard Stratton are at the heart of Triplevision Productions, an ambitious disabled-led independent production company based in the heart of West Belfast.

​We are creative story-tellers who aim to produce compelling documentary content in factual, specialist factual and factual entertainment genres for UK and International markets.

We make authentic, powerful, thought-provoking films that connect with audiences in an emotional way and on a global level. We specialise in gaining unique access to challenging stories in distinct territories, and are widely respected for building trust with our contributors through a down to earth, warm and sensitive approach.

We aim to promote the next generation of filmmakers, having strong relationships with local universities and colleges, and we are committed to increasing diversity in TV, being proudly partnered with 1in5 – a Social Enterprise dedicated to developing digital content from disabled creatives.

Keynote speakers and panel - day two

Dr Niall Comer

Dr Niall Comer is a lecturer in Irish and Translation studies in Ulster University, Magee Campus. And Course Director, MA Translation Studies.  President, Conradh na Gaeilge, 1 Feb 2016 - 1 Feb 2022; former President, Comhaltas Uladh; board member, Comhairle na Gaelscolaíochta, and committee member of the Irish Language Broadcast Fund with Northern Ireland Screen.

Fiona Keane

Fiona started her television career in Belfast, working on both regional and network projects with DBA TV, one of NI\'s first independent production companies. After producing dramas and gaining further experience in Canada she joined RTE in Dublin where she worked as Producer/Director across the range of the station\'s output.  Since returning to NI in 2003 she has worked with the BBC, NI Screen and a number of local companies, producing, writing and directing projects for BBC NI, BBC Scotland, RTE, TG4, CBBC, CBEEBIES, Children\'s Television Workshop and PBS. Fiona is BBC Northern Ireland’s Commissioning Executive (Ulster-Scots).

Contact the team

If you have any queries, please contact vernacularitiessymposium@gmail.com